I am a big John Santos fan, but moreso for his folkloric offerings (i.e. Kindembo, Batachanga). John always manages to get great rumberos and percussionists together to record as a cohesive unit, it never sounds forced in other words. Sandy Perez, Willie Ludwig, Yaya Maldonado, Roberto Borrell are some of his regular guests.
But when it comes to Latin Jazz, he ain't no slouch either. "Perspectiva Fragmentada" is no exception. John fearlessly takes us on a journey through concepts made reality and recorded with a tenderness and attention to detail that only comes from truly having a respect for the traditions while forging ahead.
I won't go into too much detail, but I have been pumping this in the car for a couple of days and it just refuses to get old and tired. "Campana La Luisa" starts as a Palo song, then bembe, then son, then afro! I can't remember the last time I heard an Afro tune that wasn't recorded during the Golden Era of Latin Music. "Not in Our Name" is another great tune which seems to be taken straight out of "Miller's Crossing" only with bata thrown in for good measure.
Check out this review:
A musician’s perspective is their unique view of the world, shaped by their life and shared through music. Life experiences shape a musician’s perspective in many ways; every event in a musician’s life has an effect on their overall perception of the world. Upbringing, ritual, and tradition all foster a musician’s cultural perceptions, and the value that they place upon their heritage. Exposure to other lives and beliefs can expand an individual’s perspective, helping them look at the world through another person’s eyes. As musicians translate their perspective into sound, that worldview, background, and exposure shines through their compositions...
(click below for the whole review)